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To illuminate both the work itself and the role of Williams’s\nimprovisations in the development of his materialist poetics, this essay examines“ Rome” alongside A\nVoyage to Pagany, a closely related novel, from the perspective of self-transformation.\nIn “Rome,” Williams links the purification of words through improvisation with the dissipation\nof the habitual self into transparent clarity. A notable section in “Rome” illustrates the author’s\ndeconstruction of self, which can also be interpreted as a precursor to his objective poetry. Drawing a\nparallel between the essential elements of self and disassembled, polished components of a machine,\nthis passage reveals how Williams nurtured the concept of a poem, resembling a machine, as an\nautonomous work of art rooted in the dissipation of the author’s self to subordinate it to the“ will” of\nlanguage.\nA Voyage to Pagany reinforces this perspective by depicting a scene in which an artist\nimaginatively morphs into “a steam engine with eyes” and prepares to appreciate the pluralistic\nbeauty of the world, a central ideal in Williams’s poetry.\nThe essay then analyzes a passage from Williams’s collaborative improvisation, “Man Orchid,”\nto highlight the limitations of the author’s pluralist poetics within the context of self-transformation.\nAlthough the poet’s transformation of self as a pure medium of language allows him to embrace\nthe beauty of a pluralistic universe, this approach inadvertently manifests as a form of whiteness, as\nit objectifies the complex realities experienced by people of other races and reduces them to mere\nsubjects for artistic appreciation.", "subitem_description_language": "en", "subitem_description_type": "Abstract"}]}, "item_3_full_name_2": {"attribute_name": "著者(ヨミ)", "attribute_value_mlt": [{"names": [{"name": "ハギノ, リョウ", "nameLang": "ja"}]}]}, "item_3_publisher_35": {"attribute_name": "出版者", "attribute_value_mlt": [{"subitem_publisher": "沖縄国際大学外国語学会", "subitem_publisher_language": "ja"}]}, "item_3_source_id_10": {"attribute_name": "書誌レコードID", "attribute_value_mlt": [{"subitem_source_identifier": "AA11159005", "subitem_source_identifier_type": "NCID"}]}, "item_3_source_id_8": {"attribute_name": "ISSN", "attribute_value_mlt": [{"subitem_source_identifier": "1343070X", "subitem_source_identifier_type": "ISSN"}]}, "item_3_text_36": {"attribute_name": "出版者(ヨミ)", "attribute_value_mlt": [{"subitem_text_language": "ja", "subitem_text_value": "オキナワ コクサイ ダイガク ガイコクゴ ガッカイ"}]}, "item_creator": {"attribute_name": "著者", "attribute_type": "creator", "attribute_value_mlt": [{"creatorNames": [{"creatorName": "萩埜, 亮", "creatorNameLang": "ja"}]}]}, "item_files": {"attribute_name": "ファイル情報", "attribute_type": "file", "attribute_value_mlt": [{"accessrole": "open_access", "date": [{"dateType": "Available", "dateValue": "2024-04-01"}], "download_preview_message": "", "file_order": 0, "filename": "1343070X_27_1_hagino ryo.pdf", "filesize": [{"value": "924 KB"}], "format": "application/pdf", "future_date_message": "", "is_thumbnail": false, "mimetype": "application/pdf", "size": 924000.0, "url": {"url": "https://okiu1972.repo.nii.ac.jp/record/2000069/files/1343070X_27_1_hagino ryo.pdf"}, "version_id": "8a7024ce-2031-40c6-a3a8-ec159859cbf8"}]}, "item_language": {"attribute_name": "言語", "attribute_value_mlt": [{"subitem_language": "jpn"}]}, "item_resource_type": {"attribute_name": "資源タイプ", "attribute_value_mlt": [{"resourcetype": "departmental bulletin paper", "resourceuri": "http://purl.org/coar/resource_type/c_6501"}]}, "item_title": "ウィリアム・カーロス・ウィリアムズの即興における自己の変容 : \"Rome\"およびA Voyage to Paganyを中心として", "item_titles": {"attribute_name": "タイトル", "attribute_value_mlt": [{"subitem_title": "ウィリアム・カーロス・ウィリアムズの即興における自己の変容 : \"Rome\"およびA Voyage to Paganyを中心として", "subitem_title_language": "ja"}]}, "item_type_id": "3", "owner": "9", "path": ["1711584716001"], "permalink_uri": "http://hdl.handle.net/2308/0002000069", "pubdate": {"attribute_name": "公開日", "attribute_value": "2024-04-01"}, "publish_date": "2024-04-01", "publish_status": "0", "recid": "2000069", "relation": {}, "relation_version_is_last": true, "title": ["ウィリアム・カーロス・ウィリアムズの即興における自己の変容 : \"Rome\"およびA Voyage to Paganyを中心として"], "weko_shared_id": -1}
ウィリアム・カーロス・ウィリアムズの即興における自己の変容 : "Rome"およびA Voyage to Paganyを中心として
http://hdl.handle.net/2308/0002000069
http://hdl.handle.net/2308/0002000069408d30d4-84dd-46dc-b56a-0fadd1347bfb
名前 / ファイル | ライセンス | アクション |
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1343070X_27_1_hagino ryo.pdf (924 KB)
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Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||||
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公開日 | 2024-04-01 | |||||||
タイトル | ||||||||
言語 | ja | |||||||
タイトル | ウィリアム・カーロス・ウィリアムズの即興における自己の変容 : "Rome"およびA Voyage to Paganyを中心として | |||||||
言語 | ||||||||
言語 | jpn | |||||||
資源タイプ | ||||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||
資源タイプ | departmental bulletin paper | |||||||
著者 |
萩埜, 亮
× 萩埜, 亮
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著者(ヨミ) | ||||||||
姓名 | ハギノ, リョウ | |||||||
言語 | ja | |||||||
抄録 | ||||||||
内容記述タイプ | Abstract | |||||||
内容記述 | During his stay in Europe in 1924, William Carlos Williams composed an unfinished manuscript titled “Rome.” In this work, he bridges the gap between the spontaneity of improvisational prose and the clarity of his objective verse. To illuminate both the work itself and the role of Williams’s improvisations in the development of his materialist poetics, this essay examines“ Rome” alongside A Voyage to Pagany, a closely related novel, from the perspective of self-transformation. In “Rome,” Williams links the purification of words through improvisation with the dissipation of the habitual self into transparent clarity. A notable section in “Rome” illustrates the author’s deconstruction of self, which can also be interpreted as a precursor to his objective poetry. Drawing a parallel between the essential elements of self and disassembled, polished components of a machine, this passage reveals how Williams nurtured the concept of a poem, resembling a machine, as an autonomous work of art rooted in the dissipation of the author’s self to subordinate it to the“ will” of language. A Voyage to Pagany reinforces this perspective by depicting a scene in which an artist imaginatively morphs into “a steam engine with eyes” and prepares to appreciate the pluralistic beauty of the world, a central ideal in Williams’s poetry. The essay then analyzes a passage from Williams’s collaborative improvisation, “Man Orchid,” to highlight the limitations of the author’s pluralist poetics within the context of self-transformation. Although the poet’s transformation of self as a pure medium of language allows him to embrace the beauty of a pluralistic universe, this approach inadvertently manifests as a form of whiteness, as it objectifies the complex realities experienced by people of other races and reduces them to mere subjects for artistic appreciation. |
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言語 | en | |||||||
書誌情報 |
ja : 沖縄国際大学外国語研究 巻 27, 号 1, p. 27-41, ページ数 15, 発行日 2024-03 |
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ISSN | ||||||||
収録物識別子タイプ | ISSN | |||||||
収録物識別子 | 1343070X | |||||||
書誌レコードID | ||||||||
収録物識別子タイプ | NCID | |||||||
収録物識別子 | AA11159005 | |||||||
その他の言語のタイトル | ||||||||
その他のタイトル | Transformation of Self in William Carlos Williams’s Improvisations : Focusing on “Rome” and A Voyage to Pagany | |||||||
言語 | en | |||||||
出版者 | ||||||||
言語 | ja | |||||||
出版者 | 沖縄国際大学外国語学会 | |||||||
出版者(ヨミ) | ||||||||
言語 | ja | |||||||
値 | オキナワ コクサイ ダイガク ガイコクゴ ガッカイ |